Have you noticed yet that I seemed to spend a lot of time at Quilt Camp in the Pines? 😉 Sadly, it has closed. This is the result of yet another class there. I’ve always been intimidated by hand appliqué. I tried it a couple of times with less than wonderful results, so it was with great trepidation that I signed up for a class in Celtic hand appliqué, taught by Nancy Chong at camp in 2004. However, I think I’ve finally found a version of hand appliqué that I like and that I can do at least passably well!
This is hand appliquéed and the hand quilting echoes the appliqué motifs both in the “ditch” and 1/4″ away. Here’s a close-up of the quilting:
It measures 13.25″ x 47″ (tip to tip) and was finished in June, 2005.
It had been a very long time since I’d done a Drunkard’s Path quilt, but I do like the curves in this design. When I saw a new technique of doing them online, I couldn’t resist. I dug out some beautiful batiks I’d inherited from a local quilter who had passed away and used them to make Cecilia’s Circles. I named the quilt after the quilter who’d given me the fabrics. This was entirely machine pieced and machine quilted. For the quilting, I used a variegated purple/raspberry thread, drawing the curve of the spine of each feather onto the block and then doing the feathers themselves freehand. I didn’t think this particular quilt needed a border; I didn’t like the idea of the circles and partial circles being “contained” by any border. Here is the finished quilt, which measures 45″ x 45″, and which I completed in April, 2011.
The next two photos show a close-up of the quilting from the front and from the back of the quilt:
Blog posts: blocks, layout, finished
One winter I saw a lovely quilt made with a variety of embroidered trees — and I loved it! I immediately went to the digitizer’s site and bought the designs in order to make my own version. As soon as I’d finished ‘Tis the Season, I got busy with this quilt. I ended up buying sashing fabric three different times before finding one that I thought worked well! The quilt is machine embroidered and free-motion quilted on my Bernina 780. For the quilting, I used several different all-over fillers in the blocks, followed by circle-filled swags in the borders. I finished it in September, 2016, though I did go back later to add some crystals to it. The quilt measures approximately 26″ x 40″.
Blog posts: embroidery, continuing, quilted
This is a very small wallhanging (about 14″ square) that I made as a beginner. I liked the pattern of the saguaro cactus, since we had so many of them near where we lived at the time. I machine pieced and hand quilted this.
This is not only appliqué; it’s also drappliqué! I took a class from Pam Holland at Quilt Camp in the Pines in July, 2005, and her technique combines machine appliqué with drawing on the fabric with special pens to make the fabric look the way we need it to look. The quilt is entirely machine appliquéed and quilted, measuring 19″ x 23″. I finished it in September, 2005. I didn’t actually do that much quilting, since the appliqué was combined with the quilting in the main part of the piece. The wide border is quilted in a stylized wave pattern.
And here is the photo that inspired the quilt:
This quilt went together so easily that it’s almost embarrassing! It measures 61″ x 57 1/2″, and it was the first I made from the Fat Quarter Quilts book. It’s machine pieced and quilted; I had a wonderful time doing the free-motion quilting on it! I used variegated thread in two different browns and a green to make the vines and leaves that are climbing up this “wall” of broken bricks.
I needed a new quilt for my queen-sized bed, and I love this pattern, so this was an easy decision. What wasn’t so easy was deciding on the fabrics to use, especially since I wanted to use ten fabrics, rather than the eight in the original pattern. Thanks to the help from a couple of RCTQ members (thanks Susan M and Nancy!), I had revised measurements to consult and lots of very good tips. I bought the fabric for this in late 2001 with help from a very artistic friend, but I didn’t start making it until October, 2002, because I found out that Blanche Young (the originator of the pattern) would be in town for a class in this very pattern! I finished the top in late November, 2002, and did something I’d never done before — I took it to a long-arm quilter instead of quilting it myself. It was so large that I didn’t want to wrestle with it to machine quilt it, and it was too busy to benefit from hand quilting, so that left a commercial quilter as my choice. She did a gorgeous job with it, getting it back to me in early April, 2003, so that I could bind it and put a label on it. The quilt measures 95 1/2″ x 105 1/2″ and was entirely machine pieced.
After seeing Eleanor Burns’ technique on PBS, I figured that this was worth a try. It was finally completed in 1994, two and a half years after I started it! It really wasn’t because I didn’t want to finish, though. First, I had to take a break of several months’ duration when I hurt my back and the doctor wouldn’t let me hunch over my hoop. I had just recovered from that when I literally took flight on a wet floor and broke my tailbone. I’ve never mastered the art of quilting while standing up! This one was also machine pieced and hand quilted, and it’s 60″ square.
I made this wallhanging to keep from freezing in our former home! Directly over the chair where I prefered to do my hand quilting, there was a vent for the evaporative cooler. That was nice in the summer, but in the winter the cold winds came through the vent with a vengeance. This piece covered the vent in the winter so that the room stayed warmer and I stayed comfortable. This Drunkard’s Path variation was machine pieced and hand quilted and is only 28 1/2″ x 17 1/2″.
It suddenly became obvious that our grandson Benjamin had outgrown his baby quilt and that I needed to make him a new one quickly! Fortunately, I remembered that I’d purchased and stashed a pre-printed I Spy panel several months before — just in case. To that center panel I added borders of black with red polka dots and binding of red with black polka dots. I even found flannel for the back in black with tiny red polka dots.
I used bright variegated thread to machine quilt around the printed motifs in the center and to do loops in the plain red border. The same thread was used to do more straight lines in the outer border. The quilt was ready in time for Benjamin’s third birthday in January, 2002, and measures 40 1/2″ x 48 1/2″.